First Italian Reader: A Dual-Language Book
(eBook)

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Published
Dover Publications, 2012.
Format
eBook
ISBN
9780486120355
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Stanley Appelbaum., & Stanley Appelbaum|AUTHOR. (2012). First Italian Reader: A Dual-Language Book . Dover Publications.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Stanley Appelbaum and Stanley Appelbaum|AUTHOR. 2012. First Italian Reader: A Dual-Language Book. Dover Publications.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Stanley Appelbaum and Stanley Appelbaum|AUTHOR. First Italian Reader: A Dual-Language Book Dover Publications, 2012.

MLA Citation, 9th Edition (style guide)

Stanley Appelbaum, and Stanley Appelbaum|AUTHOR. First Italian Reader: A Dual-Language Book Dover Publications, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDdee47eb6-392c-e8d8-d054-4df62cef6688-eng
Full titlefirst italian reader
Authorappelbaum stanley
Grouping Categorybook
Last Update2024-05-15 02:01:02AM
Last Indexed2024-06-01 04:45:48AM

Book Cover Information

Image Sourcehoopla
First LoadedOct 3, 2022
Last UsedJul 2, 2023

Hoopla Extract Information

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    [synopsis] => Beginning students of Italian language and literature will welcome this bilingual anthology edited especially for their needs. Ranging from the fourteenth to the twentieth centuries, it features the works of Dante, Boccaccio, Pirandello, and fifty-two others in both the original Italian and expert English translations on the facing pages. Selections include excerpts from poetry, fiction, history, and philosophy. This is a "first reader" in the sense of its introduction to Italian literature from the 1300s to the 1920s. A solid background in Italian grammar is necessary for the fullest appreciation of the original text. The excerpts are unadulterated, not retold or simplified. Readers can sample the works of men renowned for other talents, such as Michelangelo and Galileo, and discover the original language of The Decameron, The Prince, and even Pinocchio. This self-contained anthology can be used with or without an instructor. It will thrill anyone seeking a fast-paced survey of a vital body of literature from one of the world's greatest cultural legacies.
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