L'Art Du Champa
(eBook)

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Published
Parkstone International, 2015.
Format
eBook
ISBN
9781783108299
Status
Available Online

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Language
French

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Citations

APA Citation, 7th Edition (style guide)

Jean-François Hubert., & Jean-François Hubert|AUTHOR. (2015). L'Art Du Champa . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jean-François Hubert and Jean-François Hubert|AUTHOR. 2015. L'Art Du Champa. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jean-François Hubert and Jean-François Hubert|AUTHOR. L'Art Du Champa Parkstone International, 2015.

MLA Citation, 9th Edition (style guide)

Jean-François Hubert, and Jean-François Hubert|AUTHOR. L'Art Du Champa Parkstone International, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDa15a1a15-aed3-519d-10bd-b1b610c7dbea-fre
Full titlel art du champa
Authorhubert jean françois
Grouping Categorybook
Last Update2023-10-06 18:53:14PM
Last Indexed2024-04-20 04:19:49AM

Book Cover Information

Image Sourcehoopla
First LoadedNov 10, 2022
Last UsedAug 22, 2023

Hoopla Extract Information

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    [year] => 2015
    [artist] => Jean-François Hubert
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    [language] => FRENCH
    [profanity] => 
    [title] => L'Art Du Champa
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            [2] => Asian
            [3] => History
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            [5] => Religious
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    [synopsis] => Le royaume du Champa s'organise vers le Ve siècle après J. -C. sur une large partie du territoire du Vietnam actuel. Il reste encore quelques magnifiques édifices dans la région de Nha Trang. La sculpture Cham utilise divers matériaux, principalement la pierre (grès), mais également l'or, l'argent et le bronze. À l'origine, ces œuvres illustraient la mythologie indienne. Ce puissant royaume fut progressivement détruit au cours du XVe siècle par l'irrésistible descente vers le sud (« Nam Tiên ») des vietnamiens, depuis leur foyer de la région du Fleuve Rouge. L'auteur explore, décrit et commente les différents styles des sculptures de l'art Cham en s'appuyant sur une iconographie riche et inédite.
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