The Undiscovered Country: Poetry in the Age of Tin
(eBook)

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Published
Columbia University Press, 2008.
Format
eBook
ISBN
9780231509923
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

William Logan., & William Logan|AUTHOR. (2008). The Undiscovered Country: Poetry in the Age of Tin . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

William Logan and William Logan|AUTHOR. 2008. The Undiscovered Country: Poetry in the Age of Tin. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

William Logan and William Logan|AUTHOR. The Undiscovered Country: Poetry in the Age of Tin Columbia University Press, 2008.

MLA Citation, 9th Edition (style guide)

William Logan, and William Logan|AUTHOR. The Undiscovered Country: Poetry in the Age of Tin Columbia University Press, 2008.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID332933aa-be7a-f006-1ca8-ecd36b87da46-eng
Full titleundiscovered country poetry in the age of tin
Authorlogan william
Grouping Categorybook
Last Update2022-10-18 20:30:28PM
Last Indexed2024-04-27 02:48:08AM

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    [synopsis] => William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review, the Times Literary Supplement (London), and other journals, William Logan has delivered razor-sharp assessments of poets present and past. Logan, whom James Wolcott of Vanity Fair has praised as being "the best poetry critic in America," vividly assays the most memorable and most damning features of a poet's work. While his occasionally harsh judgments have raised some eyebrows and caused their share of controversy (a number of poets have offered to do him bodily harm), his readings offer the fresh and provocative perspectives of a passionate and uncompromising critic, unafraid to separate the tin from the gold. The longer essays in The Undiscovered Country explore a variety of poets who have shaped and shadowed contemporary verse, measuring the critical and textual traditions of Shakespeare's sonnets, Whitman's use of the American vernacular, the mystery of Marianne Moore, and Milton's invention of personality, as well as offering a thorough reconsideration of Robert Lowell and a groundbreaking analysis of Sylvia Plath's relationship to her father. Logan's unsparing "verse chronicles" present a survey of the successes and failures of contemporary verse. Neither a poet's tepid use of language nor lackadaisical ideas nor indulgence in grotesque sentimentality escapes this critic's eye. While railing against the blandness of much of today's poetry (and the critics who trumpet mediocre work), Logan also celebrates Paul Muldoon's high comedy, Anne Carson's quirky originality, Seamus Heaney's backward glances, Czeslaw Milosz's indictment of Polish poetry, and much more.
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