Radical History and the Politics of Art
(eBook)

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Published
Columbia University Press, 2014.
Format
eBook
ISBN
9780231527781
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Gabriel Rockhill., & Gabriel Rockhill|AUTHOR. (2014). Radical History and the Politics of Art . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Gabriel Rockhill and Gabriel Rockhill|AUTHOR. 2014. Radical History and the Politics of Art. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Gabriel Rockhill and Gabriel Rockhill|AUTHOR. Radical History and the Politics of Art Columbia University Press, 2014.

MLA Citation, 9th Edition (style guide)

Gabriel Rockhill, and Gabriel Rockhill|AUTHOR. Radical History and the Politics of Art Columbia University Press, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID38e9c103-0ccd-4d57-53e2-95e20a242a8d-eng
Full titleradical history and the politics of art
Authorrockhill gabriel
Grouping Categorybook
Last Update2022-10-18 20:30:28PM
Last Indexed2024-05-04 02:53:24AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 5, 2022
Last UsedJan 2, 2024

Hoopla Extract Information

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    [synopsis] => Gabriel Rockhill opens new space for rethinking the relationship between art and politics. Rather than understanding the two spheres as separated by an insurmountable divide or linked by a privileged bridge, Rockhill demonstrates that art and politics are not fixed entities with a singular relation but rather dynamically negotiated, sociohistorical practices with shifting and imprecise borders. Radical History and the Politics of Art proposes a significant departure from extant debates on what is commonly called "art" and "politics," and the result is an impressive foray into the force field of history, in which cultural practices are meticulously analyzed in their social and temporal dynamism without assuming a conceptual unity behind them. Rockhill therefore develops an alternative logic of history and historical change, as well as a novel account of social practices and a multidimensional theory of agency. Engaging with a diverse array of intellectual, artistic, and political constellations, this tour de force diligently maps the various interactions between different dimensions of aesthetic and political practices as they intertwine and sometimes merge in precise fields of struggle.
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