Modernism versus Traditionalism: Art in Paris, 1888-1889
(eBook)

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Published
The University of North Carolina Press, 2018.
Format
eBook
ISBN
9781469641270
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Gretchen K. McKay., Gretchen K. McKay|AUTHOR., Nicolas W. Proctor|AUTHOR., & Michael A. Marlais|AUTHOR. (2018). Modernism versus Traditionalism: Art in Paris, 1888-1889 . The University of North Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Gretchen K. McKay et al.. 2018. Modernism Versus Traditionalism: Art in Paris, 1888-1889. The University of North Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Gretchen K. McKay et al.. Modernism Versus Traditionalism: Art in Paris, 1888-1889 The University of North Carolina Press, 2018.

MLA Citation, 9th Edition (style guide)

Gretchen K. McKay, Gretchen K. McKay|AUTHOR, Nicolas W. Proctor|AUTHOR, and Michael A. Marlais|AUTHOR. Modernism Versus Traditionalism: Art in Paris, 1888-1889 The University of North Carolina Press, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDe8d8b42f-0fef-10e0-7c98-12dd4b3ebd9b-eng
Full titlemodernism versus traditionalism art in paris 1888 1889
Authormckay gretchen k
Grouping Categorybook
Last Update2022-10-18 20:30:28PM
Last Indexed2024-04-27 05:02:58AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 16, 2022
Last UsedNov 26, 2023

Hoopla Extract Information

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    [synopsis] => Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the "texts" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde art created by artists such as Van Gogh and Gauguin. Also included are the Impressionists and American artists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris.
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