Portrait in Black and Gold
(eBook)

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Average Rating
Published
Inanna Poetry and Fiction Series, 2013.
Format
eBook
ISBN
9781771330657
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Carol Damioli., & Carol Damioli|AUTHOR. (2013). Portrait in Black and Gold . Inanna Poetry and Fiction Series.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Carol Damioli and Carol Damioli|AUTHOR. 2013. Portrait in Black and Gold. Inanna Poetry and Fiction Series.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Carol Damioli and Carol Damioli|AUTHOR. Portrait in Black and Gold Inanna Poetry and Fiction Series, 2013.

MLA Citation, 9th Edition (style guide)

Carol Damioli, and Carol Damioli|AUTHOR. Portrait in Black and Gold Inanna Poetry and Fiction Series, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID0e10d388-1654-f2a0-223a-f2439dc708c6-eng
Full titleportrait in black and gold
Authordamioli carol
Grouping Categorybook
Last Update2023-12-20 16:44:54PM
Last Indexed2024-04-20 02:22:49AM

Book Cover Information

Image Sourceoverdrive
First LoadedJan 17, 2023
Last UsedMar 29, 2024

Hoopla Extract Information

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    [synopsis] => One Italian Renaissance painter created stunning portraits of warmth and sensitivity, caught Michelangelo's favourable attention, served the most powerful monarch of the time, and achieved international renown. But that artist fell into obscurity for one reason – she was a woman. Sofonisba Anguissola's abilities as a painter, evident while still in her mid-teens, combined with her father's promotional efforts, made her well known in her native northern Italy. That fame led to a position as a lady-in-waiting to the young wife of King Philip ii of Spain. Portrait in Black and Gold takes the reader through the triumphs and tragedies that Anguissola witnessed at Philip's dazzling but troubled court. There are gaps in the historical record of Anguissola's life. It is uncertain whether she actually studied in Rome with Michelangelo. And we know nothing about her mother's attitude toward her highly unconventional career. But this uncertainty allows the novelist to choose the possibilities that make a stronger, more memorable story, and Portrait in Black and Gold takes full advantage. The novel spans Anguissola's life all the way to her nineties, when Anthony Van Dyck sought her out in plague-ravaged Sicily. An epilogue explains how and why Anguissola and other women artists were ignored by art historians.
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