Blood Circuits: Contemporary Argentine Horror Cinema
(eBook)

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Published
State University of New York Press, 2018.
Format
eBook
ISBN
9781438470771
Status
Available Online

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Language
English

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APA Citation, 7th Edition (style guide)

Jonathan Risner., & Jonathan Risner|AUTHOR. (2018). Blood Circuits: Contemporary Argentine Horror Cinema . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jonathan Risner and Jonathan Risner|AUTHOR. 2018. Blood Circuits: Contemporary Argentine Horror Cinema. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jonathan Risner and Jonathan Risner|AUTHOR. Blood Circuits: Contemporary Argentine Horror Cinema State University of New York Press, 2018.

MLA Citation, 9th Edition (style guide)

Jonathan Risner, and Jonathan Risner|AUTHOR. Blood Circuits: Contemporary Argentine Horror Cinema State University of New York Press, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID91b49f0e-5ae7-d5bc-8ad7-37f67dcfd0d3-eng
Full titleblood circuits contemporary argentine horror cinema
Authorrisner jonathan
Grouping Categorybook
Last Update2024-05-15 02:01:02AM
Last Indexed2024-06-01 03:55:18AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 13, 2022
Last UsedMay 4, 2024

Hoopla Extract Information

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    [synopsis] => Examines how recent Argentine horror films engage with the legacies of dictatorship and neoliberalism.



Argentina is a dominant player in Latin American film, known for its documentaries, detective films, melodramas, and auteur cinema. In the past twenty years, however, the country has also emerged as a notable producer of horror films. Blood Circuits focuses on contemporary Argentine horror cinema and the various "cinematic pleasures" it offers national and transnational audiences. Jonathan Risner begins with an overview of horror film culture in Argentina and beyond. He then examines select films grouped according to various criteria: neoliberalism and urban, rural, and suburban spaces; English-language horror films; gore and affect in punk/horror films; and the legacies of the last dictatorship (1976–1983). While keenly aware of global horror trends, Risner argues that these films provide unprecedented ways of engaging with the consequences of authoritarianism and neoliberalism in Argentina.



Jonathan Risner is Assistant Professor of Spanish at Indiana University Bloomington.
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