Adapting Gender: Mexican Feminisms from Literature to Film
(eBook)

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Published
State University of New York Press, 2018.
Format
eBook
ISBN
9781438468280
Status
Available Online

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Language
English

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APA Citation, 7th Edition (style guide)

Ilana Dann Luna., & Ilana Dann Luna|AUTHOR. (2018). Adapting Gender: Mexican Feminisms from Literature to Film . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ilana Dann Luna and Ilana Dann Luna|AUTHOR. 2018. Adapting Gender: Mexican Feminisms From Literature to Film. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ilana Dann Luna and Ilana Dann Luna|AUTHOR. Adapting Gender: Mexican Feminisms From Literature to Film State University of New York Press, 2018.

MLA Citation, 9th Edition (style guide)

Ilana Dann Luna, and Ilana Dann Luna|AUTHOR. Adapting Gender: Mexican Feminisms From Literature to Film State University of New York Press, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID78025cb6-0d8b-05d4-ba36-9600667a944a-eng
Full titleadapting gender mexican feminisms from literature to film
Authorluna ilana dann
Grouping Categorybook
Last Update2024-05-15 02:01:02AM
Last Indexed2024-06-01 03:37:43AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 27, 2024
Last UsedMay 27, 2024

Hoopla Extract Information

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    [synopsis] => Demonstrates how film adaptations intersect with feminist discourse in neoliberal Mexico. 

Adapting Gender offers a cogent introduction to Mexico's film industry, the history of women's filmmaking in Mexico, a new approach to adaptation as a potential feminist strategy, and a cultural history of generational changes in Mexico. Ilana Dann Luna examines how adapted films have the potential to subvert not only the intentions of the source text, but how they can also interrupt the hegemony of gender stereotypes in a broader socio-political context. Luna follows the industrial shifts that began with Salinas de Gortari's presidency, which made the long 1990s the precise moment in which subversive filmmakers, particularly women, were able to participate more fully in the industry and portrayed the lived experiences of women and non-gender-conforming men. The analysis focuses on Busi Cortés's El secreto de Romelia (1988), an adaptation of Rosario Castellanos's short novel El viudo Román (1964); Sabina Berman and Isabelle Tardán's Entre Pancho Villa y una mujer desnuda (1996), an adaptation of Berman's own play, Entre Villa y una mujer desnuda (1992); Guita Schyfter's Novia que te vea (1993), an adaptation of Rosa Nissán's eponymous novel (1992); and Jaime Humberto Hermosillo's De noche vienes, Esmeralda (1997), an adaptation of Elena Poniatowska's short story "De noche vienes" (1979). These adapted texts established a significant alternative to monolithic notions of national (gendered) identity, while critiquing, updating, and even queering, notions of feminism in the Mexican context. 

Ilana Dann Luna is Assistant Professor of Spanish and Latin American Studies at Arizona State University.
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