Authenticity is a Feeling: My Life in PME-ART
(eBook)

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Published
Book*hug Press, 2018.
Format
eBook
ISBN
9781771663878
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Jacob Wren., & Jacob Wren|AUTHOR. (2018). Authenticity is a Feeling: My Life in PME-ART . Book*hug Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jacob Wren and Jacob Wren|AUTHOR. 2018. Authenticity Is a Feeling: My Life in PME-ART. Book*hug Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jacob Wren and Jacob Wren|AUTHOR. Authenticity Is a Feeling: My Life in PME-ART Book*hug Press, 2018.

MLA Citation, 9th Edition (style guide)

Jacob Wren, and Jacob Wren|AUTHOR. Authenticity Is a Feeling: My Life in PME-ART Book*hug Press, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID0c242c41-e5c2-2114-7f76-082ebcdf1dbd-eng
Full titleauthenticity is a feeling my life in pme art
Authorwren jacob
Grouping Categorybook
Last Update2024-05-15 02:01:02AM
Last Indexed2024-06-15 02:23:56AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 31, 2024
Last UsedMay 31, 2024

Hoopla Extract Information

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    [synopsis] => Authenticity is a Feeling: My Life in PME-ART is a compelling hybrid of history, memoir, and performance theory. It tells the story of the interdisciplinary performance group PME-ART and their ongoing endeavor to make a new kind of highly collaborative theatre dedicated to the fragile but essential act of "being yourself in a performance situation."

Written, among other things, to celebrate PME-ART's twentieth anniversary, the book begins when Jacob Wren meets Sylvie Lachance and Richard Ducharme, moves from Toronto to Montreal to make just one project, but instead ends up spending the next twenty years creating an eccentric, often bilingual, art. It is a book about being unable to learn French yet nonetheless remaining co-artistic director of a French-speaking performance group, about the Spinal Tap-like adventures of being continuously on tour, about the rewards and difficulties of intensive collaborations, about making performances that break the mold and confronting the repercussions of doing so. A book that aims to change the rules for how interdisciplinary performance can be written about today.
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