From Filmmaker Warriors to Flash Drive Shamans: Indigenous Media Production and Engagement in Latin America
(eBook)

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Published
Vanderbilt University Press, 2021.
Format
eBook
ISBN
9780826503008
Status
Available Online

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Language
English

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APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2021). From Filmmaker Warriors to Flash Drive Shamans: Indigenous Media Production and Engagement in Latin America . Vanderbilt University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2021. From Filmmaker Warriors to Flash Drive Shamans: Indigenous Media Production and Engagement in Latin America. Vanderbilt University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. From Filmmaker Warriors to Flash Drive Shamans: Indigenous Media Production and Engagement in Latin America Vanderbilt University Press, 2021.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. From Filmmaker Warriors to Flash Drive Shamans: Indigenous Media Production and Engagement in Latin America Vanderbilt University Press, 2021.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDaa43b547-3b45-b974-3ed4-ba1fd2c03ce8-eng
Full titlefrom filmmaker warriors to flash drive shamans indigenous media production and engagement in latin america
Authorauthors various
Grouping Categorybook
Last Update2023-08-25 18:53:10PM
Last Indexed2024-04-06 04:23:37AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 31, 2023
Last UsedAug 31, 2023

Hoopla Extract Information

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    [synopsis] => From Filmmaker Warriors to Flash Drive Shamans broadens the base of research on Indigenous media in Latin America through thirteen chapters that explore groups such as the Kayapó of Brazil, the Mapuche of Chile, the Kichwa of Ecuador, and the Ayuuk of Mexico, among others, as they engage video, DVDs, photography, television, radio, and the internet.

The authors cover a range of topics such as the prospects of collaborative film production, the complications of archiving materials, and the contrasting meanings of and even conflict over "embedded aesthetics" in media production-i.e., how media reflects in some fashion the ownership, authorship, and/or cultural sensibilities of its community of origin. Other topics include active audiences engaging television programming in unanticipated ways, philosophical ruminations about the voices of the dead captured on digital recorders, the innovative uses of digital platforms on the internet to connect across generations and even across cultures, and the overall challenges to obtaining media sovereignty in all manner of media production.

The book opens with contributions from the founders of Indigenous Media Studies, with an overview of global Indigenous media by Faye Ginsburg and an interview with Terence Turner that took place shortly before his death.
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