O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage
(eBook)

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Published
Indiana University Press, 2006.
Format
eBook
ISBN
9780253027948
Status
Available Online

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Language
English

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APA Citation, 7th Edition (style guide)

Amanda Eubanks Winkler., & Amanda Eubanks Winkler|AUTHOR. (2006). O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Amanda Eubanks Winkler and Amanda Eubanks Winkler|AUTHOR. 2006. O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad On the Seventeenth-Century English Stage. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Amanda Eubanks Winkler and Amanda Eubanks Winkler|AUTHOR. O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad On the Seventeenth-Century English Stage Indiana University Press, 2006.

MLA Citation, 9th Edition (style guide)

Amanda Eubanks Winkler, and Amanda Eubanks Winkler|AUTHOR. O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad On the Seventeenth-Century English Stage Indiana University Press, 2006.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID96ca8a8b-5fe0-aece-60fe-6ca39b0b2d87-eng
Full titleo let us howle some heavy note music for witches the melancholic and the mad on the seventeenth century english stage
Authorwinkler amanda eubanks
Grouping Categorybook
Last Update2024-05-15 02:01:02AM
Last Indexed2024-05-25 03:57:29AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 31, 2024
Last UsedMay 31, 2024

Hoopla Extract Information

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    [synopsis] => In the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state, conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous.
O Let Us Howled Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects-those who presented either a direct or metaphorical threat to the health of the English kingdom in 17th-century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies.
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