Insiders and Outsiders in Russian Cinema
(eBook)

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Published
Indiana University Press, 2008.
Format
eBook
ISBN
9780253027900
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Zara M. Torlone., & Zara M. Torlone|AUTHOR. (2008). Insiders and Outsiders in Russian Cinema . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Zara M. Torlone and Zara M. Torlone|AUTHOR. 2008. Insiders and Outsiders in Russian Cinema. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Zara M. Torlone and Zara M. Torlone|AUTHOR. Insiders and Outsiders in Russian Cinema Indiana University Press, 2008.

MLA Citation, 9th Edition (style guide)

Zara M. Torlone, and Zara M. Torlone|AUTHOR. Insiders and Outsiders in Russian Cinema Indiana University Press, 2008.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID2e869d4e-d0d6-6b80-7667-f7fbc9852981-eng
Full titleinsiders and outsiders in russian cinema
Authortorlone zara m
Grouping Categorybook
Last Update2024-05-15 02:01:02AM
Last Indexed2024-05-25 02:42:38AM

Book Cover Information

Image Sourcehoopla
First LoadedSep 5, 2022
Last UsedJan 17, 2023

Hoopla Extract Information

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    [synopsis] => Identifying who was "inside" and who was "outside" the Soviet/Russian body politic has been a matter of intense and violent urgency, especially in the high Stalinist and post-Soviet periods. It is a theme encountered prominently in film. Employing a range of interpretive methods practiced in Russian/Soviet film studies, Insiders and Outsiders in Russian Cinema highlights the varied ways that Russian and Soviet cinema constructed otherness and foreignness. While the essays explore the "us versus them" binary well known to students of Russian culture and the ways in which Russian films depicted these distinctions, the book demonstrates just how impossible maintaining this binary proved to be.
Contributors are Anthony Anemone, Julian Graffy, Peter Kenez, Joan Neuberger, Stephen M. Norris, Oleg Sulkin, Yuri Tsivian, Emma Widdis, and Josephine Woll.
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