Richard E. Norman and Race Filmmaking
(eBook)

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Published
Indiana University Press, 2013.
Format
eBook
ISBN
9780253010728
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Barbara Tepa Lupack., & Barbara Tepa Lupack|AUTHOR. (2013). Richard E. Norman and Race Filmmaking . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Barbara Tepa Lupack and Barbara Tepa Lupack|AUTHOR. 2013. Richard E. Norman and Race Filmmaking. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Barbara Tepa Lupack and Barbara Tepa Lupack|AUTHOR. Richard E. Norman and Race Filmmaking Indiana University Press, 2013.

MLA Citation, 9th Edition (style guide)

Barbara Tepa Lupack, and Barbara Tepa Lupack|AUTHOR. Richard E. Norman and Race Filmmaking Indiana University Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID52f28d21-721b-5bb3-39ea-725fb3e10a16-eng
Full titlerichard e norman and race filmmaking
Authorlupack barbara tepa
Grouping Categorybook
Last Update2024-05-15 02:01:02AM
Last Indexed2024-05-16 03:02:50AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 14, 2022
Last UsedMay 8, 2024

Hoopla Extract Information

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    [synopsis] => In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent" filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman's personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema.
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