For the Love of Cinema: Teaching Our Passion In and Outside the Classroom
(eBook)

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Average Rating
Published
Indiana University Press, 2017.
Format
eBook
ISBN
9780253030122
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2017). For the Love of Cinema: Teaching Our Passion In and Outside the Classroom . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2017. For the Love of Cinema: Teaching Our Passion In and Outside the Classroom. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. For the Love of Cinema: Teaching Our Passion In and Outside the Classroom Indiana University Press, 2017.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. For the Love of Cinema: Teaching Our Passion In and Outside the Classroom Indiana University Press, 2017.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID779689b7-66ba-5542-43e6-759808ff1c20-eng
Full titlefor the love of cinema teaching our passion in and outside the classroom
Authorauthors various
Grouping Categorybook
Last Update2024-04-18 18:02:01PM
Last Indexed2024-04-27 03:41:34AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 7, 2024
Last UsedMay 7, 2024

Hoopla Extract Information

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    [synopsis] => What role does love-of cinema, of cinema studies, of teaching and learning-play in teaching film? For the Love of Cinema brings together a wide range of film scholars to explore the relationship between cinephilia and pedagogy. All of them ask whether cine-love can inform the serious study of cinema. Chapter by chapter, writers approach this question from various perspectives: some draw on aspects of students' love of cinema as a starting point for rethinking familiar films or generating new kinds of analyses about the medium itself, others reflect on how their own cinephilia informs the way they teach cinema, and still others offer new ways of writing (both verbally and audiovisually) with a love of cinema in the age of new media. Together, they form a collection that is as much a guide for teaching cinephilia as it is an energetic dialogue about the ways that cinephilia and pedagogy enliven and rejuvenate one another.
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