Summary of Haruki Murakami & Seiji Ozawa's Absolutely on Music
(eBook)
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English
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Citations
APA Citation, 7th Edition (style guide)
IRB Media., & IRB Media|AUTHOR. (2022). Summary of Haruki Murakami & Seiji Ozawa's Absolutely on Music . IRB.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)IRB Media and IRB Media|AUTHOR. 2022. Summary of Haruki Murakami & Seiji Ozawa's Absolutely On Music. IRB.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)IRB Media and IRB Media|AUTHOR. Summary of Haruki Murakami & Seiji Ozawa's Absolutely On Music IRB, 2022.
MLA Citation, 9th Edition (style guide)IRB Media, and IRB Media|AUTHOR. Summary of Haruki Murakami & Seiji Ozawa's Absolutely On Music IRB, 2022.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouping Information
Grouped Work ID | 3a17a631-93ba-ca3d-d65c-e07e636ee626-eng |
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Full title | summary of haruki murakami and seiji ozawas absolutely on music |
Author | media irb |
Grouping Category | book |
Last Update | 2023-03-23 18:04:07PM |
Last Indexed | 2024-05-04 02:54:12AM |
Book Cover Information
Image Source | hoopla |
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First Loaded | Mar 12, 2023 |
Last Used | Feb 11, 2024 |
Hoopla Extract Information
stdClass Object ( [year] => 2022 [artist] => IRB Media [fiction] => [coverImageUrl] => https://cover.hoopladigital.com/vsa_9798822541085_270.jpeg [titleId] => 15185175 [isbn] => 9798822541085 [abridged] => [language] => ENGLISH [profanity] => [title] => Summary of Haruki Murakami & Seiji Ozawa's Absolutely on Music [demo] => [segments] => Array ( ) [pages] => 72 [children] => [artists] => Array ( [0] => stdClass Object ( [name] => IRB Media [artistFormal] => IRB Media, [relationship] => AUTHOR ) ) [genres] => Array ( [0] => Art ) [price] => 0.48 [id] => 15185175 [edited] => [kind] => EBOOK [active] => 1 [upc] => [synopsis] => Please note: This is a companion version & not the original book. Book Preview: #1 I had a conversation with Ozawa about the Beethoven Third Piano Concerto in C minor on November 16, 2010. We spent three hours discussing the concerto, and took occasional breaks to prevent Ozawa from tiring. #2 The speech by Bernstein is included in this live recording that I have here. He said that he was conducting the Brahms Piano Concerto according to the interpretation of Glenn Gould, with which he did not agree. He said that he was conducting it because Gould was so valid and serious an artist that he had to take his conception seriously. #3 The piano part is slow, and it sounds fine, especially if you've never heard anyone else play it. It's like a relaxed tune from the countryside. But it must be difficult for the performer to stretch it out like this. #4 In a concert, who is the boss — the soloist or the conductor. The conductor begins working on the music two weeks before the performance, but the soloist can be wrestling with it for six months or more. [url] => https://www.hoopladigital.com/title/15185175 [pa] => [publisher] => IRB [purchaseModel] => INSTANT )