Hooked
(eAudiobook)

Book Cover
Average Rating
Published
University of Chicago Press, 2023.
Format
eAudiobook
ISBN
9780226831909
Status
Available Online

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Physical Description
7h 4m 0s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Rita Felski., Rita Felski|AUTHOR., & Unknown (Synthesized Voice)|READER. (2023). Hooked . University of Chicago Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Rita Felski, Rita Felski|AUTHOR and Unknown (Synthesized Voice)|READER. 2023. Hooked. University of Chicago Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Rita Felski, Rita Felski|AUTHOR and Unknown (Synthesized Voice)|READER. Hooked University of Chicago Press, 2023.

MLA Citation, 9th Edition (style guide)

Rita Felski, Rita Felski|AUTHOR, and Unknown (Synthesized Voice)|READER. Hooked University of Chicago Press, 2023.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID597d492a-d18d-0842-4ace-6cc23c32cf90-eng
Full titlehooked
Authorfelski rita
Grouping Categorybook
Last Update2024-03-22 18:01:01PM
Last Indexed2024-04-27 03:17:44AM

Book Cover Information

Image Sourcehoopla
First LoadedMar 22, 2024
Last UsedApr 25, 2024

Hoopla Extract Information

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    [synopsis] => How does a novel entice or enlist us? How does a song surprise or seduce us? Why do we bristle when a friend belittles a book we love, or fall into a funk when a favored TV series comes to an end? What characterizes the aesthetic experiences of feeling captivated by works of art? In Hooked, Rita Felski challenges the ethos of critical aloofness that is a part of modern intellectuals' self-image. The result is sure to be as widely read as Felski's book, The Limits of Critique.
	


	Wresting the language of affinity away from accusations of sticky sentiment and manipulative marketing, Felski argues that "being hooked" is as fundamental to the appreciation of high art as to the enjoyment of popular culture. Hooked zeroes in on three attachment devices that connect audiences to works of art: identification, attunement, and interpretation. Drawing on examples from literature, film, music, and painting-from Joni Mitchell to Matisse, from Thomas Bernhard to Thelma and Louise-Felski brings the language of attachment into the academy. Hooked returns us to the fundamentals of aesthetic experience, showing that the social meanings of artworks are generated not just by critics, but also by the responses of captivated audiences.
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