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Benjamin Jonson was a Renaissance dramatist, poet, and actor, known best for his satirical plays and lyric poems. Jonson focused on creating works that implemented elements of the realistic as well as the absurd. Jonson's most performed play, and the one that sparked a period of great success for the playwright, is "Volpone, or The Fox". Volpone, a Venetian con artist, is feigning to be on his death bed, pitting several aspirant heirs against one...
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"The Staple of News" is a satire on the newspaper and news agency business that was quickly developing at the time. The plot draws on at least five plays by Aristophanes, and tells the story of the plutocratic Lady Pecunia, an array of wooers and jeerers, and a group of women who represent "females out of control," a common theme of Jonson's work.
3) Eastward Ho
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Jonson worked with Marston and George Chapman on a satirical city comedy called "Eastward Ho!" The collaborative effort was a remarkable success, blending three very different writings styles into a single, coherent play. The tale of contemporary London life was written in response to the immense success of Thomas Dekker and John Webster's "Westward Ho!"
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Joson's final comedy, "The Magnetic Lady, or Humours Reconciled," tells the story of a chaotic but revealing dinner party, with the wealthy Lady Loadstone, her attractive young niece, Placentia Steel, a group of amorous but foolish suitors, and a few out of control female servants.
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In 1601 the playwright produced "Cynthia's Revels, or The Fountain of Self-Love," a sort of stepping stone towards his subsequent masterpieces. The play was part of the so-called Poetomachia, or War of the Theatres, between Jonson and playwrights John Marston and Thomas Dekker. The character Cynthia represented Queen Elizabeth, and the play was marked by violence and controversy in reflection of the queen's final reigning years.
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"Bartholomew Fair" was written in 1614, during the time considered to be Jonson's heyday (1605-1620), and is one of the playwright's most popular works. The story takes place on St. Bartholomew's day, where in the town of Smithfield an annual fair was held. To Jonson, the fair was a representation of society. In addition to the chaotic fair itself, characters like the justice-seeking Adam Overdo; Bartholomew Cokes, a confident but witless man of means;...
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Benjamin Jonson (1572-1637) was a Renaissance dramatist, poet and actor, known best for his satirical plays and lyric poems. His career began in 1597 when he held a fixed engagement in the "Admiral's Men", and although he was unsuccessful as an actor, his literary talent was apparent and he began writing original plays for the troupe. Jonson had a knack for absurdity and hypocrisy, a trait that made him immensely popular in the 17th century Renaissance...
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One of his early comedies, "The Case is Altered," strays from the playwright's normal works in both structure and plot. These anomalies and the work's exclusion from Jonson's three folio collections lead to confusion among scholars regarding its authorship. The story borrows plots from two plays by Plautus, "Captivi" and "Aulularia," with its characters and events recreated and transported to Elizabethan England. This was Jonson's first attempt at...
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From about 1599-1601, a rivalry emerged between Jonson and the playwrights John Marston and Thomas Dekker dubbed Poetomachia, or War of the Theatres. Scholars agree that "The Poetaster, or His Arrangement," portrays all three playwrights in the characters of Horace, as Jonson, Crispinus as Marston, and Demetrius Fannius as Dekker. The term poetaster refers to a poet of inferior verse, so it is no surprise that the play is a scathing attack on the...
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Jonson drew on the works of historians like Plutarch, Dio Cassius and Marcus Tullius Cicero to write the play, which recounts the story of Lucius Sergius Catilina, the Roman politician and conspirator of the 1st century B.C. It was written in the tradition of a Senecan closet drama, relying more on language than on action or violence, which made it less popular than Jonson's satirical and comical works.
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"The Devil is an Ass" is a mildly satirical play, in which a lesser devil named Pug is allowed by Satan to travel to London and entrap innocent souls. He is surprised, however, when his victims turn out to be more cunning and unscrupulous than expected. Subplots involving scams and deception weave together in this highly comical tale of a group of Londoners making an ass of the Devil.
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It is known that Shakespeare's company produced several of Jonson's plays, Shakespeare himself appearing in "Every Man in His Humour" (1598). The play was Jonson's first major success, written in the style of "humour plays," a genre of comedy originated by George Chapman. In it, Jonson targets some of his favorite topics for satire: education, love, poetry, and social classes. As each major character represents a different issue, the play transforms...
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Ben Jonson's career began in 1597 when he held a fixed engagement in the "Admiral's Men", and although he was unsuccessful as an actor, his literary talent was apparent and he began writing original plays for the troupe. Jonson's works are particularly recognizable because of his consistencies in style, intricacy of plot, characterization and setting. He focused on creating works that implemented elements of the realistic as well as the absurd. His...
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"Every Man Out of His Humour" is the companion play to the highly successful "Every Man in His Humour," which was produced by and starred William Shakespeare. This comedy of humors, much like its prequel, is a satire of English society. Jonson's complex and witty characters are a scathing representation of the flaws he saw in education, love, poetry, and social classes around him.
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Benjamin Jonson (1572-1637) was a Renaissance dramatist, poet and actor, known best for his satirical plays and lyric poems. He worked shortly as an actor in "The Admiral's Men", but soon moved on to writing original plays for the troupe. Jonson's works are particularly recognizable because of his consistencies in style, intricacy of plot, characterization and setting. He focused on creating works that implemented elements of the realistic as well...
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These much-studied and frequently performed comedies by the great Elizabethan playwright satirize the greed, mendacity, gullibility, and pretension that Jonson saw rampant in 17h-century London society. Both plays feature colorful characters, ingenious plotting, biting wit, and sharp insight into human nature. This is the only edition to include both plays in one, inexpensive volume.
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"The Alchemist" by Ben Jonson is a comedic play that satirizes the greed and gullibility of its characters. Set in London, it follows three con artists who exploit the desire for wealth and transformation. As they pose as alchemists, chaos ensues when their schemes collide. The play humorously examines human flaws and the pursuit of unrealistic ambitions, showcasing Jonson's wit and social commentary.
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"Epicoene: The Silent Woman" is a comedic play by Ben Jonson. Morose, a wealthy old man, seeks a wife who is quiet and silent. He plans to disinherit his nephew if he doesn't marry Epicoene, a supposedly silent woman. However, Epicoene turns out to be a young man in disguise. Chaos erupts as characters scheme to uphold the deception. Jonson's play humorously critiques societal expectations of gender roles, marriage, and appearances, while exploring...
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"Cynthia's Revels: The Fountain of Self-Love" by Ben Jonson is a satirical play that delves into the world of courtly flattery, vanity, and self-indulgence. The court of Queen Cynthia (a representation of Queen Elizabeth I) is populated by characters representing various vices and follies. The central character, Crites, is a young courtier who seeks self-improvement through the Fountain of Self-Love. Through witty dialogues and sharp humor, Jonson...
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