In the early 1960s Anthony Caro led a revolution in sculpture in Britain. His abstract steel constructions, often painted in bold colours, forged a new and internationally influential sculptural language. In the years since his fertile and diverse practice has consistently challenged and extended what sculpture is, and what it might be. At the age of 80, Anthony Caro remains intensely active, working each day in his studio and overseeing every detail...

Paper is perfect for drawing and writing, but what happens when this 2-D material is given a 3-D twist? Budding artists will love creating paper sculptures with this fun book, from crinkly trees to slithery snakes. Simple step-by-step instructions ensure readers can fly through projects, such as crafting their own pterodactyls. Photographs of each step, a materials list, and helpful hints ensure each craft is accessible and fun. Using household supplies,...

This detailed overview traces the story of western sculpture from its beginnings to the present day, passing through the Aegean, classical Greek, Roman, Byzantine, Medieval, Renaissance, Baroque, Neoclassical, Romantic, and Modern periods along the way. The text explains how Western sculpture evolved over time as it adapted to changing cultural contexts. All the while, the book also highlights influential sculptors and key works. Rich in detail, highly...

Jeffrey Rubinoff is one of the great sculptors in steel of the second half of the twentieth century. In the 1970s and '80s he exhibited widely in the United States and Canada alongside Anthony Caro, Mark di Suvero and George Rickey, among others. However, in the early 1990s Rubinoff withdrew from the art world altogether and concentrated on creating an extraordinary sculpture park on Hornby Island. This book is the first major account of his remarkable...

Thorough step-by-step guide discusses anatomy of horse, lion, and bull; methods of construction; tools, materials, etc. Also comprehensive exposition of casting in plaster. 63 full-page photographic plates. 138 drawings and diagrams.