Decadence: A Very Short Introduction
(eAudiobook)

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Published
Tantor Media, Inc., 2018.
Format
eAudiobook
ISBN
9781977306579
Status
Available Online

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Physical Description
4h 37m 0s
Language
English

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Citations

APA Citation, 7th Edition (style guide)

David Weir., David Weir|AUTHOR., & Graham Halstead|READER. (2018). Decadence: A Very Short Introduction . Tantor Media, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

David Weir, David Weir|AUTHOR and Graham Halstead|READER. 2018. Decadence: A Very Short Introduction. Tantor Media, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

David Weir, David Weir|AUTHOR and Graham Halstead|READER. Decadence: A Very Short Introduction Tantor Media, Inc, 2018.

MLA Citation, 9th Edition (style guide)

David Weir, David Weir|AUTHOR, and Graham Halstead|READER. Decadence: A Very Short Introduction Tantor Media, Inc., 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID1b751d4a-bfec-040d-2cf0-72f0598ef1da-eng
Full titledecadence a very short introduction
Authorweir david
Grouping Categorybook
Last Update2024-05-15 02:01:02AM
Last Indexed2024-05-18 02:29:40AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 7, 2024
Last UsedMay 7, 2024

Hoopla Extract Information

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    [synopsis] => The history of decadent culture runs from ancient Rome to nineteenth-century Paris, Victorian London, fin de siècle Vienna, Weimar Berlin, and beyond. The decline of Rome provides the pattern for both aesthetic and social decadence, a pattern that artists and writers in the nineteenth century imitated, emulated, parodied, and otherwise manipulated for aesthetic gain. What begins as the moral condemnation of modernity in mid-nineteenth century France on the part of decadent authors such as Charles Baudelaire ends up as the perverse celebration of the pessimism that accompanies imperial decline. This delight in decline informs the rich canon of decadence that runs from Joris-Karl Huysmans's À Rebours to Oscar Wilde's The Picture of Dorian Gray. In this Very Short Introduction, David Weir explores the conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence-the excess of artifice-and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences.
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